Stranded in a storm, Genesis (Lorenza Izzo) and Bel (Ana de Armas) need a place to stay while they dry off and call an Uber. Once Karen leaves, two young girls (emphasis on young) knock on the door and all hell breaks loose. His wife Karen (Ignacia Allamand), a well renowned artist, takes their children to the beach and appoints her assistant Louis (Aaron Burns) to check in once and a while on a sculpture she created that will be repositioned to an art gallery for her show. Knock Knock, a Keanu Reeves movie starring Keanu Reeves, follows the plot of a family man, Evan, staying home with his dog for Father’s Day weekend due to work and a physical therapy appointment. How a 2015 film could end up top 7 out of 10 after years of irrelevance beats me, but we played it hoping it would live up to the hype it got. The initial draw to Knock Knock was the fact it was trending on Netflix for a month. “Okay, maybe you’re on to something,” she said. The more the movie unfolded, the more I realised I was right. What started as a bit quickly grew in to big brain energy. “How can you even draw that conclusion?” my girlfriend asked before we began. Two girls meet strange male after night stranded in rain, they enter home, suspense and horror ensues.

Reading the plots stacked against each other, the same loose premise existed for both. The comparison between Knock Knock (2015) and The Human Centipede (2009) began as a joke.

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